Wednesday, November 30, 2016

Helpful Resources for Digital Rhetoric and Environments

Here are some resources that I've used throughout my ENC 4416 class. Hopefully you'll find them helpful as well!
Source: Electronic Platform for Adult Learning in Europe (EPALE)

UCF's College of Arts and Humanities Writing and Rhetoric Page
  • This page is a student made website that consists of pages written and coded by ENC 4416 students throughout the years. It covers many concepts in digital environments and the rhetoric that surrounds them. I have worked on the Audience Awareness page myself.
Kristina'a Halvorson's Content Strategy Slides
  • This is a great resource for quick summary on content strategy ideals and information. The slides that she's liked are also great resources for content strategists to look at.
Nielsen Norman Group Resources
  • The NNG's website is a wealth of information on design strategies, content strategies, research methods and even social media. They are one of the world's leading voices in user experience in digital environments and there are so many studies they have done that you can find almost any answer for any question on their site.
  • Their articles page are also a great source of information.
JSTOR
  • A collection of peer-reviewed journals and sources that is wonderful for finding not only information, but finding credible sources for papers and articles. There are many studies that are on this site as well that are helpful when doing research.
    Howard Rheingold's Writing
    • One of the world's leading writers on the global and cultural impact of modern day communication media, he has many writings that are helpful to those who wish to understand these concepts better.

    Transnational Media/Telenovelas

    Source: El PaĆ­s

    I'm taking a class this semester called Hispanics in Media in the U.S., and so far it has been an eye opening experience. We just discussed the past several weeks the importance of Spanish networks such as Telemundo and Univision. The influence of many countries have been spreading across America, and telenovelas have become a huge aspect to the media. I just did a project on Jane the Virgin, which is a great example of transnational telenovelas. Jane the Virgin is an adaptation of the critically acclaimed Colombian telenovela Juana la Virgen. Because it was so popular in Colombia, adaptations have popped up in many different countries, not just America. Even Poland has an adaptation of the story. Although some aspects have been changed to better relate Jane to Americans, the story itself hasn't lost it's roots or the essence of the storyline.

    The only way Juana la Virgen could have so many adaptations is because of transnational media and the spreadability of it. We shouldn't rule out something that has a different root just because it may seem unfamiliar. Telenovelas have been slowly making there way over to America even if we don't know it. The book talks about Yo soy Betty, la fea, in which Ugly Betty was an adaptation of this telenovela. We're watching content and media that is transnational without even knowing it, and I think that it's extraordinary. Media nowadays is so easily spread that we don't even notice it in the most obvious places.

    Transforming Value Into Wealth in a Digital Environment


    According to Jenkins, Ford and Green, value transforms into wealth or worth when an economic investment gives way to sentimental investment (Jenkins 72). They describe when a fan's culture "gifts" are transformed into "user generated content," there are special sensitivities involved as the material gets absorbed back into commercial culture (Jenkins 72). This can be explained easily through media content such as fanart. The art that artists create can be worth quite a bit because it takes time and effort. I've seen many artists state that it's taken days or even weeks to create an art piece, yet they post it online for free because the people who enjoy that particular fandom or character will find some sort of sentimental value. It's worth x amount, but they give it to a community for free because they know that the community will enjoy it; therein lies the worth of whatever value it was originally.

    This is relevant for digital writing because it can be the exact same, but with a post, a tweet, etc. Something we tweet can be funny or interesting and could gain thousands of likes and retweets, but we posted it for free. People saw that it was worth something, thus they retweeted it.

    Words Cited:
    Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media. New York 
    University Press, New York, 2013, pp. 196-197

    The Uncertainty Principle

    Source: Marketing Land
    The uncertainty principle is defined by Jenkins in Spreadable Media as when producers create content, they must consider content that resonates with the audience and to do so must ensure content is made available in forms that audiences will most likely find useful, and approaches for understanding what motivates audiences to circulate content ( Jenkins 196-197). This is relevant to digital writing environments because whether we're writing on social media or a website, the content that we put on there must be relevant enough as well as relatable enough for readers and users to feel that it is useful.
    Think of how-to videos on YouTube. These videos are useful and many users find that the content is relatable enough that they may share it in their circle of friends who do cooking, baking, or even DIY's. Content creators need to make sure that first and foremost that they're producing a video when trying to put something on YouTube because that's what people are looking for. Then, they must be sure their content is relevant to what users may want to see, such as how to bake holiday themed cupcakes since Christmas is coming up. The users watching the video might think, "This is something that ____ may want to see, let me just share it on Facebook so that they can see it. Maybe someone else may find it useful as well." Having a relevant and well-made video will cause people to circulate the content, whether it's to help someone or just because the cake's decorations are cute and I want others to see it as well.

    Words Cited:
    Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media. New York
    University Press, New York, 2013, pp. 196-197

    Tuesday, November 29, 2016

    Pet Rescue By Judy Web Audit

    Kristen Wong
    Professor Dan Martin
    ENC 4416
    23 November 2016
    Pet Rescue By Judy Web Audit
    Introduction
                The website that I have audited is the local Pet Rescue By Judy site. I have volunteered here for several years and I see the wonderful work that the organization is doing. Unfortunately, the site does not reflect the same sentiment and care that the animals at the agency have. This in turn is a huge loss to the organization since many adoption agencies depend on their websites to get the word out. The sites can convey upcoming events, have easy donation sections, have organized, online adoption processes as well as list every single animal that is up for adoption. The Pet Rescue By Judy site would be incredibly effective in getting the word out about the available pets, yet fails to do so with messy and ineffective toolbars, little consistency in fonts and typography, has no main focus and seems cluttered to the user’s eye.

    Methodology
                I used several tools to help analyze the site, one of them being XML Sitemaps. This site counts up to 500 pages on the site. The total pages tells me if the amount of pages is appropriate for the site. In the instance of Pet Rescue By Judy, the site has over 500 pages. The sheer amount of pages on the site is inappropriate for the site since the more pages there are, the more information the user is being inundated with. Users of this site want straight to the point facts about the pet they’ll be adopting, an adoption form, upcoming events, contact information and an about the organization page. Furthermore, many of the pages on the site are very long and require a good deal of scrolling. This along with over 500 pages of information is too much to be classified as user-friendly.
                I also use a rating scale of 1-5 for each analysis section based on content strategists Kristina Halvorson and Melissa Rach’s book, Content Strategy. 1/5 denotes needs a great deal of improvement while 5/5 denotes that the section and satisfactory for the site.

    Summary of Findings
                The site itself has heart and users can tell immediately that the organization has a great deal of passion for what they do. However, there is a difference between being passionate as well as uncoordinated. This can be seen in several areas of the site.
    1.1 Pet of the Week
    The Pet of the Week section also clutters the page and needs to be reexamined and placed in another area of the page that does not make it the focal point of every web page. A joint journal written by scholars at the University of Tennessee and Sejong University in Seoul, Korea writes that when it comes to websites and message strategy, “the homepage not only states a key message, but it also provides a kind of "front door" to all corporate messages contained in the site” (Hwang, et al 1).
    1.2 Font and Typography Aesthetics
                There are two aspects of this particular section, but both work together to create a clean and professional site. When sites are not uniform in font as well as typography, the end result is an unprofessional look that may seem sloppy. Dr. BJ Fogg, professor and director of research and design in Stanford University’s Persuasive Technology Lab writes, “Typographical errors… hurt a site's credibility more than most people imagine.” and therefore “avoid errors of all types, no matter how small they seem” (Fogg 10). Any error in uniformity causes a site to lose credibility because it may appear as if the organization does not care enough about their professional tools.
    1.3 Toolbars
    The toolbars is one aspect that is executed poorly. There are two toolbars, one going vertically on the left side of the page while the other goes horizontally on the top of the page. While this is not necessarily the problem, there are too many links on the vertical toolbar when they could be easily hidden in roll over menus. The horizontal toolbar is also much smaller and the links do not even seem like links, they are just text. This toolbar happens to be the most important toolbar of them all since it contains the information needed for users to find pets that are available for adoption.
    The Nielsen Norman Group (NNG), one of the world’s leading user interface and consulting firms tells web designers to “Make clickable elements obvious to users so they don’t need to ponder the meaning of design elements or encounter nasty surprises when something doesn’t work as expected” (Loranger 1).
    1.4 Mobile Site
                In this day and age, mobile sites are essential to marketing, or in this case, adopting. The PRBJ site on smartphones is technically considered “mobile” as every element formats to the small screen, yet it is not mobile user friendly. Since the elements do not format congruently with the phone screen, everything shrinks down. The font for most static text is 9 point Arial font. While this is satisfactory for PC and laptop displays, it is not for mobile phones. The already fairly small font is shrunk down to an even smaller font, around 5 point font. This not only puts strain on the user’s eye, but it causes more work for the users themselves, having to zoom into a small portion they’d like to look at. It also makes it more difficult to click on specific links since the touch of a finger is about the size of three links.
    1.5 Homepage Banners and Events
                The amount of banners and events on the homepage is an overwhelming amount of information for users. Having to continuously scroll down for upcoming event banners can be tedious. These banners also remind users of advertisements which are generally unwelcome to most internet users, therefore they may not read the banners despite containing important information such as needs, donations or upcoming events. Having the event pages linking to another page that has more information would not only be convenient but more polished and professional.

    Analysis and Recommendations
    2.1 Pet of the Week
    The primary message of a web page is the “single most important thing you want the user to know after viewing your content” while the secondary message should be messages that support the primary message and provide context (Halvorson and Rach 107). Pet of the Week in essence is a great concept, especially for animals that may have been at the adoption center for a long time, however it should not be the primary message of every page. It ultimately does become the main focus of each page since it is the first concept users see when opening the site as well as the last. This becomes primary message of Pet Rescue by Judy. Instead, a simple logo and small about section or a logo and an encouraging message from Judy herself about the goals of the organization would be much more effective.
    The huge Pet of the Week feature also becomes clutter. There are too many items for users to look at, which confuses them as to where they should be looking. A study done by the Department of Psychology at the University of Basel in Switzerland states that according to Leder’s model of aesthetic perception, more complex websites are perceived as being less beautiful than less complex websites (Tuch, et al. 8). In other words, the more elements on a page, the more users find the web page unpleasant to look at. The University of Basel study also found that users prefer websites with low visual complexity and high prototypicality. Websites of low prototypicality are generally judged as being unattractive (Tuch, et al. 24). Save a Life Pet Rescue show this low visual complexity and high prototypicality seen here in Fig. 2.1a:
     Figure 2.1a: Save a Life Pet Rescue Homepage; Source: http://savealifepetrescue.org/

    It has low visual complexity with a simple side bar, the logo and a short paragraph that states what the organization is about. The color scheme is a simple blue and white and has only two images on the homepage. It has high prototypicality because many pet rescue organizations have similar layouts. The main focus of the page is a short summary about the organization and what their highest priority is. “Most visitors to a Web site decide whether they will continue to browse a site based on their impressions of the homepage” (Hwang, et al. 1). Users browse this site on the basis of what the organization’s goals are. The main focus that comes across from Pet Rescue By Judy is Pet of the Week because it is the first item users will see (see Fig. 2.1b below).

    Figure 2.1b: Pet Rescue By Judy Homepage; Source: http://www.petrescuebyjudy.com/

    This should not be the primary focus nor is it familiar to users as being what they would usually see on an adoption site, therefore making them uncomfortable or finding the site aesthetically unpleasing to look at. In order to alleviate this issue it is recommended to shrink down Pet of the Week and placing it a more discreet location would be more effective. Placing it on the homepage and removing it from every other page, such as Contact Us and About PRBJ would be extremely effective because these pages also will no longer be cluttered.
    Pet of the Week Rating: 1/5

    2.2 Font and Typography Aesthetics
                A study done by user-interface and information-visualization designer, Aaron Marcus, found that “mixing [both] styles of fonts on the same page didn’t improve perception of visual aesthetics” (Marcus 206). This can be seen in Fig. 2.1b. Every section of the page that has font has either a different font or is emphasized in a different way, such as bolded or italicized. This lack of visual uniformity continues to add to the aesthetically displeasing design. This flaw can best be seen on the different pet pages. Fig. 2.2a, 2.2b and 2.2c as seen below, depict three excerpts of dog descriptions taken from the Pet Rescue By Judy website. As one can see, each description not only differs in fonts, but font sizes, font styles, font weight, spacing and typography (bolded and italicized).

    Figure 2.2a: Michelle; Source: http://www.petrescuebyjudy.com/

    Figure 2.2b: Millenia; Source: http://www.petrescuebyjudy.com/ 
    Figure 2.2c: Oz; Source: http://www.petrescuebyjudy.com/
    A study done by Tomoyuki Nanno at the Tokyo Institute of Technology reported that “if some fragments of the Web page are described in the same font color and font size, they could belong to the same group. We consider that such a “uniformity” can be useful for detecting the repetition of elements in the Web page” (Nanno, et at. 7). By using this ideology, one can see that users may not associate the details of the pet with one another. Furthermore, the content reinforces this idea. Some pets have foster updates while others do not. Understandably, some pets are not fostered. Therefore, foster updates should be a smaller section in the details of the pet or at the bottom of a description of the pet. Millenia and Michelle both have foster updates, yet Oz does not. This may lead users to not comprehend that the pets “belong to the same group” (Nanno, et al 7).
    This inconsistency in typography and font also leads to the loss of credibility of the organization. Stanford University is conducting an ongoing research project called The Stanford Web Credibility Project. One of their research findings affirms that designing a site so that it looks professional includes paying attention to small details such as layout, typography, images and consistency issues. They write, “We find that people quickly evaluate a site by visual design alone” (Fogg 6). First impressions are everything, and in this case it is vital for the organization to be credible. Many pet adoption agencies can be illegitimate and while Pet Rescue By Judy is not, it can seem illegitimate because the website fails to be consistent and uniform in its formatting. A simple fix for this issue is to pick one font and typography format. Then comb through the site and format all text to have the same font and typography (with the exception of titles and headers).
    Font and Typography Aesthetics Rating: 2/5

    2.3 Toolbars
    Users should not be guessing what elements are or are not links and this is an issue with the horizontal toolbar on the PRBJ site. Jakob Nielsen, founder of Nielsen Norman Group (NNG) says, “Life is too short to click on things you don’t understand” (Loranger 1). If users do not understand that the horizontal toolbar is even a toolbar, they will not click on it. As stated before, this toolbar is the most vital toolbar to the site and leads users to the main focus of the site: available pets. In order to reduce the click uncertainty, Loranger tells designers to never make users rely on ‘mouse-overs’ to determine if a text is clickable (Loranger 1). “Mouse-overs” is what Pet Rescue By Judy relies on when it comes to the horizontal toolbar. A “mouse-over” is an element that highlights a hyperlink on a web page when users hover over the element with their mouse. Please see Fig. 2.3a and 2.3b below.
    Fig. 2.3a: Toolbar taken from Pet Rescue By Judy; Source: http://www.petrescuebyjudy.com/

    Fig. 2.3a: Toolbar taken from Pet Rescue By Judy with Mouse-Over; Source: http://www.petrescuebyjudy.com/

    As one can see, without hovering over the toolbar, users cannot tell it is a toolbar. It looks like a row of text that tells users what type of animal is available and how many of those particular types are available. Only when a mouse hovers over the toolbar (Fig. 2.3a) do users understand that this section is meant to be clicked on.
                To fix this section Loranger gives several easy fixes. The first is making sure static items do not have the color as the hyperlinks. Even changing it to a simple blue would be more effective than what it is currently. Static items should also not have the same color as hyperlinks, such as the suggested blue. So if using the suggested blue, do not use blue text for any non-clickable items. Most of all, whatever appearance chosen for all the hyperlinks must be applied consistently throughout the site (Loranger 1).
                The horizontal toolbar is a different story, conversely. The sheer amount of links displayed on the toolbar is enough to confuse even the most veteran of users. In order to improve this, designers of the PRBJ page could lessen the amount of links by dividing the site differently. The login in page is an example of dividing the site differently. Moving the login button to the top of the page or placing the login box directly on the page rather than redirecting users to a page specifically designed for logging in would save space and lessen the amount of links on the toolbar. The Volunteer and Volunteer Portal pages can also be included onto the same page to further reduce the space it takes up on the toolbar. The PRBJ Softball Tournament is considered an event, therefore it can be combined onto the event page as well without cluttering the toolbar.
                Drop-down menus are last resort and are not used as often by design specialists. Sarah Miller, a systems analyst and Caroline Jarrett, a usability consultant, states that since a drop-down box hides the menu options; unless the user is very familiar with the site, s/he will need to review the options in order to make a choice. Hyperlinks also only involve one click; a drop-down box gives the user more work (Miller and Jarrett 2). However, if that many links are genuinely needed on the site, drop-down menus are a viable option that hides the large amount of links and gives the site a cleaner look.
    Toolbar Rating: 2/5

    2.4 Mobile Site
    Fig. 2.4a and Fig. 2.4b as seen below depicts the way PRBJ is seen on a PC screen and mobile phone, respectively. Focusing on the red text, “Come visit us at our location in Sanford…”, users can read this very easily on the PC. It is bolded and the font size is 14 point. However, looking at the mobile view in Fig. 2.4b, it is almost impossible to read. This is due to the fact that the page is not mobile user friendly. The mobility of the site only goes as far as fitting everything on one screen without forcing the format to be awkward and out of place. This may frustrate visitors of the site.
    Fig. 2.4a: PC View of Pet Rescue By Judy; Source: http://www.petrescuebyjudy.com/

    Fig. 2.4b: Mobile View of Pet Rescue By Judy; Source: http://www.petrescuebyjudy.com/

    A research study done on mobile readiness conducted by Dr. Tina Mccorkindale, former Associate Professor of Public Relations at Appalachian State University had several conclusions on this topic. Non-mobile websites had to be resized to create viewable content in text because it was either too large or too small. In addition, non-mobile sites required more vertical and horizontal scrolling… [and] was more time consuming. “The researchers qualitatively noted multiple cases of frustration with non-mobile sites due to issues with resizing the screen and difficulty with clicking the links” (Mccorkindale and Morgoch 1).
                This is true to the PRBJ site in that it is difficult clicking the links because the text and other clickable elements are too small. Creating a mobile friendly site is important to visitors because most of them are on the go, visiting the PRBJ site in Sanford. They might want to look up more information on available animals or on a specific pet they might be interested in. However, because the site is not mobile friendly, it may frustrate them into not wanting to look up more information about a particular pet they may be interested in. The easiest fix for this may be creating simple CSS and HTML coding for the site. This can be done by hiring a professional or having someone from the organization find the simple code online. Another option is by using easy and free tools such as Mobify or Wirenode.
    Mobile Site Rating: 2/5

    2.5 Homepage Banners and Events
                Since PRBJ likes to do events or support events, there are many banners on the home page. It is implemented poorly, however since it contains an enormous amount of information and causes users to continuously scroll down the page to see all of the events. They may become tired of seeing so many or reading that much information that they could actually stop looking. This is only the first problem. The second problem with this is many of the banners have a large amount of information on them and only causes users to believe they are sponsored advertisements. This is likely not the initial idea for the events.
                To fix this, PRBJ may implement a scrolling banner/home page carousels. If event banners are fixed to only catch the viewer’s eye and then lead to another page with all the information when clicked on, this would be incredibly user friendly and more welcome to visitors of the site. If implemented correctly, they can even be enjoyable for users to view. This would be especially eye catching for the PRBJ website because it allows users to see all of the items on the homepage that it initially wanted to show.
    A study done by Baynard Institute, a research institute focusing on e-commerce usability, found a few tips for users to implement user friendly home page carousels: the first photo or slide should be the most important and must reinforce the products sold, or in PRBJ’s case, the most important ideal to the organization. Slides that pause when hovered over by a mouse and permanently pause when clicked on (it can be reinitiated by clicking the left and right arrows) are most enjoyed by users (Bustos 1). These tips for a better scrolling banner create not only a more professional look, but the site will look cleaned up as well.
    Homepage Banners and Events: 1/5


    Words Cited
    Bustos, Linda. “Home Page Usability: 5 Simple Rules for Rotating Banners.” Get
                Elastic, 7 November 2013, http://www.getelastic.com/home-page-usability-5-
                simple-rules-for-rotating-banners/

    Fogg, B.J. (May 2002). "Stanford Guidelines for Web Credibility." A Research
                Summary from the Stanford Persuasive Technology Lab. Stanford University.
                www.webcredibility.org/guidelines

    Halvorson, Kristina and Melissa Rach. Content Strategy for the Web. New Riders,
                Berkeley, CA, 2012, pp. 107

    Hwang, Jang-Sun, et al. “Corporate Web Sites as Advertising: An Analysis of Function,
    Audience, and Message Strategy.” Journal of Interactive Advertising, vol. 3, no. 2, Spring 2003, pp. 1

    Loranger, Hoa. “Beyond Blue Links: Making Clickable Elements Recognizable.”
                Nielsen Norman Group, 8 March 2015,
                https://www.nngroup.com/articles/clickable-elements/

    Marcus, Aaron. Design, User Experience, and Usability: User Experience Design
                PracticeSpringer International Publishing Switzerland, 2014, pp. 206

    McCorkindale, Tina, and Meredith Morgoch. "An analysis of the mobile readiness and
                dialogic principles on Fortune 500 mobile websites." Public Relations
                Review 39.3 (2013): 193-197, pp. 1

    Miller, Sarah, and Caroline Jarrett. "Should I use a drop-down? Four steps for choosing
                form elements on the web." Retrieved October 30 (2001): 2006.

    Nanno, Tomoyuki, et al. "Structuring web pages based on repetition of
                elements." Proceedings of WDA2003 (2003). pp. 7

    Tuch, Alexandre N., et al. "The role of visual complexity and prototypicality regarding
                first impression of websites: Working towards understanding aesthetics
                judgments." International Journal of Human-Computer Studies 70.11 (2012):
                794-811, pp. 8